Holland Walk London
Holland Walk is the scene of the murder of Shelley Paulson in my novel Crucial Evidence. I describe it as a being ‘poorly lit, the overhanging trees creating areas of deep shade; just the sort of place for a murder’ I am not the only one to describe it in those sort of terms. In 1845 the Kensington Gazette was receiving letters which described the Walk as a ‘dark sink hole’ dismal and dangerous owing to the erection of high fences and the lack of lighting. One correspondent wrote of apprehension of insecurity being such that his wife and daughters had to be warned not to use it. Yet another writer said he was ‘constantly afraid of forbidding presence of a thug’ and it was a ‘rendezvous for the obscene’ 
The Walk did not follow the same route as it does now, but at that stage turned across the front of Holland House but two years after the correspondence in the press the footpath was straightened so that it was as it is now.
There has been a death there in the distant past when after a robbery occurred in the Walk during one afternoon in October 1772, Lady Mary Coke who lived in Aubrey House (which also features in my novel) heard the sound of a pistol while she was reading in her library. A highwayman had been shot on the road outside her grounds.
It certainly is a suitable place for a murder.
I want to acknowledge the publication by Barbara Denny ‘Notting Hill and Holland Park Past.’
Something that made me laugh
Sometimes when I am out walking my dog, I see something that makes me laugh and this week a little girl called Lydia had me in stitches. She was walking along a track on Woodbury Common, a large stretch of open land that has great views of the sea. We were following the little figure, I guess she was about three, as she toddled along following her Dad, her older sister and their two dogs. Lydia, I knew her name because her Dad was shouting to her to hurry up as the rest of the family were way out in front of her. She was not to be hurried. Dressed in pink from head to toe, pink

Pink Mac
Wellington boots with yellow butterflies, pink over trousers and a pink mac she was determined to paddle through the pools of water that lay along the path. At each puddle and there were quite a lot of them, she stood arms outstretched like birds wings, waited for a second or so and then leapt into the air only to come down with both feet firmly in the water. She laughed and giggled as the water splashed up around her, her blond hair flying in the wind. It didn’t matter how many times her father called her, she repeated the action at each stretch of water she came to, until one of the dogs, a puppy called Polly vanished into the undergrowth, followed by the elder daughter, Emma. At that point, father gave up waiting for her; he ran back to Lydia and grabbed her under his arm before running off in the direction Emma and the puppy had gone. We heard him calling for the dog for quite a while but didn’t see them again. The picture of Lydia thrusting herself feet first into those puddles kept me laughing most of the day.
Lawyers in Literature
I have just finished reading The Children Act by Ian McEwan and it has made me think about how lawyers are described in fiction. The immediate names that come to mind are Tulkinghorn from Bleak House, Dickens’ masterpiece about the law, incidentally a novel that was on the reading list when I first began to study law at the University of Sheffield, Soames Forsyte from John Galsworthy’s Forsyte Saga’s and Rumpole, John Mortimer’s delicious character. Tulkinghorn and Soames Forsyte are both solicitors and are rather dry characters, brooding over wills and conveyances in dingy offices. In Bleak House the lawyers are the villains of the novel, in an interminable legal action 
In Bleak House the lawyers are the villains of the novel, in an interminable legal action Jarndyce and Jarndyce which only comes to a conclusion when all the money in the estate has been used in paying legal bills. Tulkinghorn is a manipulative lawyer who glories in the power he has over his clients as he learns their secrets.
Soames Forsyte is equally unimaginative and scheming as he tries to control his wife who he sees as his property as indeed women were until the Married Woman’s Property Act of 1882 which gave women the right to own property in their own names. The series of novels by John Galsworthy were written between 1906 and 1921 when that independence had taken root. Soames is obsessed with property and considers his wife as just another chattel. He is a cold character with little to commend him to the reader.
On the other hand John Mortimer by creating Rumpole as a caricature of the people around him at the Bar, some of whom are recognisable to me from my own career, has created a likeable rogue. Put upon by his wife, she who must be obeyed and his colleagues who he always gets the better of in the end, most readers enjoy reading about him.
In The Children Act, the main character is Fiona Maye, a High Court Judge in the Family Division who hears a case which involves the refusal of medical treatment. McEwan has written with great elegance about the reasoning HH Judge Maye uses to arrive at her decision. The character has her own private sorrows but as Tessa Hadley says in her review of the novel in The Guardian, nothing in the character’s life is as interesting as the legal arguments. In my own experience, this is true my own difficulties always seemed so petty compared with the troubles my clients face. It is perhaps the reason that writing giving a lawyer the main role in a novel is so difficult.
St Petersburgh
I haven’t posted anything for over two weeks because I have been on a cruise around the Baltic and had very limited internet connection – far too expensive on the ship and too little time to find an internet cafe on shore. We visited Copenhagen for an afternoon in the pouring rain, Rostock and Warnemunde on the German Coast with a watery sunshine, Tallin, where it rained again. The furthest destination was St Petersburgh where the temperature dropped and there was a smattering of snow. We spent two days there before returning to Tilbury calling at Helsinki where the temperature dropped to minus 5 and then Klapedia in Lithuania – never heard of it, neither had I- but it was sunny and the band played in the town square.
St Petersburgh was the highlight of the trip. Two days in not enough to see the city, its churches and palaces but we did our best.
We liked these beach chairs we saw in Warnemunde and thought we might like one for our garden.

Warnemunde
Tallin is like a film set from Walt Disney, but we found a great restaurant and sat watching other tourists scuttle around the Town Hall Square whilst we enjoyed beautifully cooked rabbit followed by a raspberry parfait.

City Wall Tallin
In St Petersburgh, I was reminded of the novel ‘The Seige’ by Helen Dunmore – chillingly graphic description of the days the city was surrounded by the Nazi’s during the WW2. Catherine’s Summer Palace was trashed by the German Army but has been restored to it’s former glory.

The Ball Room In the Summer Palace

inconvenient for drama, but the writer could have made a little more reference to reality. I cannot imagine any solicitor instructing someone who has not been in practice for three years ever; the law changes and the skills need to be kept up, never mind the question of a practising certificate.
Blackpool Quarter Sessions to sit behind him in a case of causing death by dangerous driving. He was a small rather busy man, always dressed in pinstripe trousers with a black jacket and the silk waistcoat worn by QC’s. The client was pleading guilty to the charge and after a rather tedious conference, with him George went off to do some work in the robing room. I was left sitting with the client until, about half an hour before the midday adjournment, I was summoned to see George.

