Summer in London

It is quite a while since I’ve done a post. I have been very occupied with trying to write my second Cassie Hardman novel and it’s proving difficult. Possibly because the subject is a rape trial, so it has been very easy for me to get distracted. A trip to Norway cruising to the North Cape and back; a trip to see relatives in the North and then a week in the Yorkshire Dales have eaten into the time. Also, we have spent some time in London feasting on some of the events the city has to offer.

We had tickets for the NT production of Angels in America. I like going to the theatre in London as the average age is much lower than similar events (hard to get in the provinces apart from live transmissions in the cinema) in Devon. But, even by London standards, the number of young people attending this production was very high. There are two plays, Millenium Approaches and Perestroika and the audience was very enthusiastic about both. Rising to their feet at the end and clapping wildly. I can’t say I felt the same. It is a tour de force for the actors particularly James McArdle who plays Louis Ironson.

1501492154367                 Some how it seemed dated although the issues of the treatment of minorities are.still live. Aids has not at least in the West been the ‘end of the world scenario depicted here. And so much has been achieved as far as gay rights are concerned. The relevance today is in the view of politics and how far individuals are prepared to go to hang on to power in the form of Ray Cohn. In addition the perennial topic of deceit, self-delusion and hypocrisy in our relationship both with ourselves and with others.

 

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Otello

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Last Night I went to see the ROH’s production of Verdi’s Otello. It was a brilliant performance by the chorus and the star Jonas Kauffman.The story is timeless, but I was struck by how it provides insight into a different situation that is affecting our world. Otello is a brilliant soldier and leader of men who is persuaded by Iago to believe his wife is unfaithful. so I found myself asking why did he allowed himself to be misled. We know he is a ‘Moor’ living in a foreign land, married to a ‘white’ princess. He has doubts about his identity and his right to be where he is. Is there not a similarity with those well educated young men who are cajoled into believing in a corrupted form of Islam and are used to attack their fellow citizens? Shakespeare can still teach us lessons.

A plea for reviewers – can we open up a dialogue about self-published books?

Nail Your Novel

So I find a lovely-looking review blog. The posts are thoughtful, fair and seriously considered. I look up the review policy and … it says ‘no self-published books’.

Today I want to open a dialogue with reviewers. If you have that policy, might you be persuaded to change it? Or to approach the problem in a different way?

I used the word ‘problem’. Because I appreciate – very well – that in making this policy you are trying to tackle a major problem. Your time as a reviewer is precious – and let me say your efforts are enormously appreciated by readers and authors alike. You get pitches for many more books than you can read and you need a way to fillet out the ones that are seriously worth your reading hours. A blanket ban is a way to fend off a lot of substandard material and save you…

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Chilling Tale

Perfect Remains by Helen Fields   

The book opens with a body being burnt on a remote Highland mountain so that all that remains are the victim’s teeth and a fragment of silk. The body is believed to be that of a successful Edinburgh female lawyer. The murder is the first investigation lead by DI Luc Callanach who has just joined Police Scotland from Interpol. When a second woman is abducted, this time a cleric in the Church of Scotland, the investigation is hampered by a criminal profiler who insists they are searching for a sex offender

The identity of the killer and his motives are known throughout the book. It is the question of whether he can be identified and caught before he kills anyone else that creates the suspense.

The character of Callanach is well developed as we learn about his background, half Scottish, half French and the reason for his leaving France and Interpol. His relationship with his fellow officers is explored with real insight, particularly that with his fellow DI Ava Turner.

It is difficult to say more about the book without giving away the turning points in the story line. I certainly enjoyed reading it.

The Cost of Reading

I have always read a lot of books, even when I was working full time at the Bar, but Libraryunless you have time to spend at a library and want to wait for that particular book you want to read to be available they do cost quite a lot of money. Amazon has done a lot to make my addiction to books affordable, but it looks to me as if there is a shift in the cost of reading.

I have been puzzled for some time as to why the Paula Hawkins’s novel was for sale as a hard back at £7.99 when it was first published. I thought about it again when I received and email from Amazon about a book by John Fairfax called Summary Justice. I was interested in reading the novel as it is set in England and within the Criminal Justice System. I looked at the price of the book and to my surprise, the hardback was £11.89, the paperback £8.99 and for Kindle £8.99 as well. That seemed high to me so I decided to do a bit of research using the Amazon charts for best sellers in crime. This is what I found.

War Cry by Wilbur Smith

Hardcover £13.00 Paperback £7.99 Kindle £12.99

The Fix by David Baldacci

Hardcover £11.89 Paperback £6.40 Kindle £9.44

The Black book by James Patterson

Hardcover £13.60 Paperback £7.99 Kindle £9.99

The Girl Before by J P Delaney

Hardcover £4.99 Paperback 7.99 Kindle 6.49

Into the Water by Paula Hawkins

Hardcover £10.00 Kindle £9.99

So what is going on? Well, that second Paula Hawkins novel is not available in paperback yet and the price difference between the hardcover and the ebook is 1p. Which is the reader going to buy? Is the publisher trying to push the reader into buying the hardcover because the number of sales to reach the bestseller list is fewer than for a paperback? Why are these popular authors books being priced at either the same or more for the ebook than for the paperback? Are traditional publishers trying to push sales of ebooks down? I assume as there is no printing cost, no paper to buy ebooks should be cheaper. Am I wrong? Or are publishers prepared to take the reading public for a ride and screw them for as much money as possible? Any thoughts?

PS I didn’t have time to look at literary fiction in the same way but Dear Amy by Helen Callaghan shows the same difference in pricing policy.

The value of Literature Festivals

Originally posted on Cat Lumb: The Struggle to be a Writer:
This month has been all about the Huddersfield Literature Festival – bringing words to life between 4th-19th March. With over fifty events it’s been bigger than ever and I feel privileged to even say I play a small part in the organisation of such,…