We had always wanted to visit Carlyle’s House in Cheyne Row Chelsea and this summer we finally got there. When Thomas Carlyle and his wife Jane moved there it was in an undesirable part of Chelsea. They paid the princely sum of £35 per year. The house is now owned by the National Trust and is open to the public. https://www.nationaltrust.org.uk/carlyles-house It has been kept much as it was during his time – very Victorian. Virtually anybody of importance in 1830/40 visited him and his wife, including Dickens, Robert Browning and John Ruskin His books are very rarely read today, but he was the founder of the London Library and instrumental in the establishment of the National Portrait Gallery.
Today this is one of the most expensive parts of London but many of the houses are simply investments, not homes and a large number stay dark and uninhabited from one year to the next. When I first moved to London I lived in the next road, Lawrence Street, in a very similar house. I loved this part of London.
One of the pleasures for me of London is the unexpected meeting with someone of interest. We were upstairs in the house when the warden came into the room. She lives in the house and I asked her if she felt haunted by the presence of such an influential man and his equally important wife. She said she did feel their influence. We went on to talk about the area. She remembered the wine merchant’s in Justice Walk and the Cross Keys Public House before it became a gastro pub. The houses were all occupied; a mixture of young and old, city lawyers and bohemian artists. The nearby Kings Road the place to be for fashion. We reminisced for a while, before leaving one of my favourite places.
It is quite a while since I’ve done a post. I have been very occupied with trying to write my second Cassie Hardman novel and it’s proving difficult. Possibly because the subject is a rape trial, so it has been very easy for me to get distracted. A trip to Norway cruising to the North Cape and back; a trip to see relatives in the North and then a week in the Yorkshire Dales have eaten into the time. Also, we have spent some time in London feasting on some of the events the city has to offer.
We had tickets for the NT production of Angels in America. I like going to the theatre in London as the average age is much lower than similar events (hard to get in the provinces apart from live transmissions in the cinema) in Devon. But, even by London standards, the number of young people attending this production was very high. There are two plays, Millenium Approaches and Perestroika and the audience was very enthusiastic about both. Rising to their feet at the end and clapping wildly. I can’t say I felt the same. It is a tour de force for the actors particularly James McArdle who plays Louis Ironson.
Some how it seemed dated although the issues of the treatment of minorities are.still live. Aids has not at least in the West been the ‘end of the world scenario depicted here. And so much has been achieved as far as gay rights are concerned. The relevance today is in the view of politics and how far individuals are prepared to go to hang on to power in the form of Ray Cohn. In addition the perennial topic of deceit, self-delusion and hypocrisy in our relationship both with ourselves and with others.
Last Night I went to see the ROH’s production of Verdi’s Otello. It was a brilliant performance by the chorus and the star Jonas Kauffman.The story is timeless, but I was struck by how it provides insight into a different situation that is affecting our world. Otello is a brilliant soldier and leader of men who is persuaded by Iago to believe his wife is unfaithful. so I found myself asking why did he allowed himself to be misled. We know he is a ‘Moor’ living in a foreign land, married to a ‘white’ princess. He has doubts about his identity and his right to be where he is. Is there not a similarity with those well educated young men who are cajoled into believing in a corrupted form of Islam and are used to attack their fellow citizens? Shakespeare can still teach us lessons.
Trials and Errors: Life at the Bar https://www.amazon.co.uk/dp/B01LXGBBES/ref=cm_sw_r_an_am_at_ws_gb?ie=UTF
It’s free today and for the next four days.
So I find a lovely-looking review blog. The posts are thoughtful, fair and seriously considered. I look up the review policy and … it says ‘no self-published books’.
Today I want to open a dialogue with reviewers. If you have that policy, might you be persuaded to change it? Or to approach the problem in a different way?
I used the word ‘problem’. Because I appreciate – very well – that in making this policy you are trying to tackle a major problem. Your time as a reviewer is precious – and let me say your efforts are enormously appreciated by readers and authors alike. You get pitches for many more books than you can read and you need a way to fillet out the ones that are seriously worth your reading hours. A blanket ban is a way to fend off a lot of substandard material and save you…
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Perfect Remains by Helen Fields
The book opens with a body being burnt on a remote Highland mountain so that all that remains are the victim’s teeth and a fragment of silk. The body is believed to be that of a successful Edinburgh female lawyer. The murder is the first investigation lead by DI Luc Callanach who has just joined Police Scotland from Interpol. When a second woman is abducted, this time a cleric in the Church of Scotland, the investigation is hampered by a criminal profiler who insists they are searching for a sex offender
The identity of the killer and his motives are known throughout the book. It is the question of whether he can be identified and caught before he kills anyone else that creates the suspense.
The character of Callanach is well developed as we learn about his background, half Scottish, half French and the reason for his leaving France and Interpol. His relationship with his fellow officers is explored with real insight, particularly that with his fellow DI Ava Turner.
It is difficult to say more about the book without giving away the turning points in the story line. I certainly enjoyed reading it.
I have always read a lot of books, even when I was working full time at the Bar, but unless you have time to spend at a library and want to wait for that particular book you want to read to be available they do cost quite a lot of money. Amazon has done a lot to make my addiction to books affordable, but it looks to me as if there is a shift in the cost of reading.
I have been puzzled for some time as to why the Paula Hawkins’s novel was for sale as a hard back at £7.99 when it was first published. I thought about it again when I received and email from Amazon about a book by John Fairfax called Summary Justice. I was interested in reading the novel as it is set in England and within the Criminal Justice System. I looked at the price of the book and to my surprise, the hardback was £11.89, the paperback £8.99 and for Kindle £8.99 as well. That seemed high to me so I decided to do a bit of research using the Amazon charts for best sellers in crime. This is what I found.
War Cry by Wilbur Smith
Hardcover £13.00 Paperback £7.99 Kindle £12.99
The Fix by David Baldacci
Hardcover £11.89 Paperback £6.40 Kindle £9.44
The Black book by James Patterson
Hardcover £13.60 Paperback £7.99 Kindle £9.99
The Girl Before by J P Delaney
Hardcover £4.99 Paperback 7.99 Kindle 6.49
Into the Water by Paula Hawkins
Hardcover £10.00 Kindle £9.99
So what is going on? Well, that second Paula Hawkins novel is not available in paperback yet and the price difference between the hardcover and the ebook is 1p. Which is the reader going to buy? Is the publisher trying to push the reader into buying the hardcover because the number of sales to reach the bestseller list is fewer than for a paperback? Why are these popular authors books being priced at either the same or more for the ebook than for the paperback? Are traditional publishers trying to push sales of ebooks down? I assume as there is no printing cost, no paper to buy ebooks should be cheaper. Am I wrong? Or are publishers prepared to take the reading public for a ride and screw them for as much money as possible? Any thoughts?
PS I didn’t have time to look at literary fiction in the same way but Dear Amy by Helen Callaghan shows the same difference in pricing policy.